| a |
| Ambisonics | Ambisonic Sound Design for Theatre with Virtual Reality Demonstration - A Case Study |
| Ambsionics Reverb | Virtual Acoustics for Concert Advertisement |
| audio feature extraction | Sensory Dissonance feature extraction: a case study |
| Audio Mixing | Spaciousness in Music: The Tonmeister’s Intention and the Listener’s Perception |
| Auditory Object | The Emotional Impact of Sound: A Short Theory of Film Sound Design |
| auditory scene | The Emotional Impact of Sound: A Short Theory of Film Sound Design |
| b |
| binaural synthesis | Virtual Acoustics for Concert Advertisement |
| c |
| cross-modal effects | The Emotional Impact of Sound: A Short Theory of Film Sound Design |
| e |
| embodiment | Simulacra Studies and Composition with Gesture |
| emotion | The Emotional Impact of Sound: A Short Theory of Film Sound Design |
| Experimental Sound Design | Experimental Sound Design for Wave Field Synthesis: Employing Low-Quality Voice Recordings into Spatial Audio for Art Installation |
| f |
| fidelity | Experimental Sound Design for Wave Field Synthesis: Employing Low-Quality Voice Recordings into Spatial Audio for Art Installation |
| Film sound design | The Emotional Impact of Sound: A Short Theory of Film Sound Design |
| g |
| gestures | Simulacra Studies and Composition with Gesture |
| h |
| Higher Order Ambisonics | Virtual Acoustics for Concert Advertisement |
| hyperreal | Simulacra Studies and Composition with Gesture |
| i |
| identity | Experimental Sound Design for Wave Field Synthesis: Employing Low-Quality Voice Recordings into Spatial Audio for Art Installation |
| l |
| Light Installations | Virtual Acoustics for Concert Advertisement |
| Listener’s Perception | Spaciousness in Music: The Tonmeister’s Intention and the Listener’s Perception |
| live electronics | Simulacra Studies and Composition with Gesture |
| live video | Simulacra Studies and Composition with Gesture |
| Low-Quality Audio | Experimental Sound Design for Wave Field Synthesis: Employing Low-Quality Voice Recordings into Spatial Audio for Art Installation |
| m |
| Metaphoric Sounds | The Emotional Impact of Sound: A Short Theory of Film Sound Design |
| music analysis | Sensory Dissonance feature extraction: a case study |
| music composition | Sensory Dissonance feature extraction: a case study |
| music education | Sensory Dissonance feature extraction: a case study |
| music genres | Spaciousness in Music: The Tonmeister’s Intention and the Listener’s Perception |
| music information retrieval | Sensory Dissonance feature extraction: a case study |
| s |
| semantic audio | Sensory Dissonance feature extraction: a case study |
| Sensory Dissonance | Sensory Dissonance feature extraction: a case study |
| simulacra | Simulacra Studies and Composition with Gesture |
| sound design | Ambisonic Sound Design for Theatre with Virtual Reality Demonstration - A Case Study |
| sound installations | Virtual Acoustics for Concert Advertisement |
| Sound Semantics | The Emotional Impact of Sound: A Short Theory of Film Sound Design |
| Sound Symbols | The Emotional Impact of Sound: A Short Theory of Film Sound Design |
| Spaciousness | Spaciousness in Music: The Tonmeister’s Intention and the Listener’s Perception |
| spatial audio | Experimental Sound Design for Wave Field Synthesis: Employing Low-Quality Voice Recordings into Spatial Audio for Art Installation |
| Stereo Mixing | Spaciousness in Music: The Tonmeister’s Intention and the Listener’s Perception |
| t |
| Theatre | Ambisonic Sound Design for Theatre with Virtual Reality Demonstration - A Case Study |
| v |
| Virtual Acoustics | Virtual Acoustics for Concert Advertisement |
| virtual piano interface | Simulacra Studies and Composition with Gesture |
| voice | Experimental Sound Design for Wave Field Synthesis: Employing Low-Quality Voice Recordings into Spatial Audio for Art Installation |
| w |
| Wave Field Synthesis | Experimental Sound Design for Wave Field Synthesis: Employing Low-Quality Voice Recordings into Spatial Audio for Art Installation |
